Exorcism and Its Texts: Subjectivity in Early Modern Literature of England and Spain

Exorcism and Its Texts: Subjectivity in Early Modern Literature of England and Spain

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By Hilaire Kallendorf
University of Toronto Romance Series
University of Toronto Press, Scholarly Publishing Division © 2003
World Rights
408 Pages
Cloth
ISBN 9780802088178
Published Dec 2003
Online discount: 25%
 $86.00    $64.50
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Exorcism and demonic possession appear as recurrent motifs in early modern Spanish and English literatures. In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics like Shakespeare, Cervantes, Ben Jonson, and Lope de Vega, to obscure works by anonymous writers.

From comic and tragic drama to picaresque narrative and eight other genres, possession worked as a paradigm through which authors could convey extraordinary experience, including not only demonic possession but also madness or even murder. The devil was thought to be able to enter the bodily organs and infect memory, imagination, and reason. Some came to believe that possession was tied to enthusiasm, poetic frenzy, prophecy, and genius. Authors often drew upon sensational details of actual exorcisms. In some cases, such as in Shakespeare, curing the body (and the body politic) meant affirming cultural authority; in others, as with Zamora, it clearly meant subverting it. Drawing on the disciplines of literary theory and history, Exorcism and its Texts is the first comprehensive study of this compelling topic.

Hilaire Kallendorf is Professor of Hispanic and Religious Studies at Texas A&M University.

'Kallendorf's Exorcisms and Its Texts is a fascinating, important and suggestive study... It should have a wide readership extending to all who are interested in early modern cultures and literatures.'

Frederick de Armas, Andrew W. Mellon Professor in Humanities, University of Chicago

'This is a very complete, very polished book, of exemplary range and depth. The topic is fascinating, the organization is superb, the readings are both subtle and persuasive, the style is elegant, and the materials that Hilaire Kallendorf has consulted and critiqued are extraordinarily broad... I am genuinely enthused by this book.'

Edward H. Friedman, Professor of Spanish and Comparative Literature, Vanderbilt University