Objects of Culture in the Literature of Imperial Spain

Objects of Culture in the Literature of Imperial Spain

Weight 0.00 lbs
Edited by Mary E. Barnard and Frederick A. de Armas
Toronto Iberic
University of Toronto Press, Scholarly Publishing Division © 2013
World Rights
352 Pages 14 Images
Cloth
ISBN 9781442645127
Published Mar 2013
Online discount: 25%
 $77.00    $57.75
ebook (EPUB format)
ISBN 9781442664289
Published Mar 2013
Online discount: 25%
Full purchase $77.00
  $57.95
Description
Author
Reviews

Collecting and displaying finely crafted objects was a mark of character among the royals and aristocrats in Early Modern Spain: it ranked with extravagant hospitality as a sign of nobility and with virtue as a token of princely power. Objects of Culture in the Literature of Imperial Spain explores how the writers of the period shared the same impulse to collect, arrange, and display objects, though in imagined settings, as literary artefacts.

These essays examine a variety of cultural objects described or alluded to in books from the Golden Age of Spanish literature, including clothing, paintings, tapestries, playing cards, monuments, materials of war, and even enchanted bronze heads. The contributors emphasize how literature preserved and transformed objects to endow them with new meaning for aesthetic, social, religious, and political purposes ­– whether to perpetuate certain habits of thought and belief, or to challenge accepted social and moral norms.

Mary E. Barnard is an associate professor in the Department of Spanish, Italian and Portuguese at Penn State University.

Frederick A. de Armas is the Andrew W. Mellon Distinguished Service Professor in the Humanities, Spanish Literature, and Comparative Literature at the University of Chicago.

‘There are other books on the topic of material culture in the Spanish Golden Age, but this one adds to them the triptych representation of luxury, signified and disrupting objects…The essays are based on deep knowledge of previous criticism and provide an insightful perspective on the connections between the use of objects and the category of genre.’

Juan Pablo Gil-Osle, Renaissance Quarterly vol 67:01:2014

‘A number of essays are eminently legible, providing for exemplary and informative readings for advanced undergraduate students; other essays will appeal to graduate students and specialists alike.’

Sanda Munjic, Hispanic Review vol 83:03:2015