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Untitled Document
Final
Manuscript and File Preparation
Proper manuscript
preparation is extremely important and should follow the guidelines below.
To find out why preparation is important, please read the following document:
Casting Off. It has been prepared
by our production department and explains how factors such as text, tables,
illustrations, font, and text alignment are used in calculating the final
extent of a book based on a submitted manuscript.
Double-space all text. This includes all notes, bibliographies,
extracts, and previously printed material such as reprints of journal
articles.
Previously printed
material should be input into the same word-processing system as that
used for the text so that the entire manuscript is available on one
system.
Keep all text
unjustified.
Leave consistent
margins of at least 1-1/2 inches on all four sides.
On the first page
of a chapter, leave at least 3 inches at the top of the page.
Number pages consecutively.
Gather notes at
the end of the manuscript, double-spaced, and consecutively numbered
starting at 1 for each chapter. Notes can be placed at the end of each
chapter in multi-authored volumes.
Indicate in the
margin, or on a separate line in the manuscript, where each illustration
or table should fall, if the illustration is not referred to in the
text.
Print out a hard
copy of your manuscript on 8-1/2" x 11" paper, on one side
of the paper only.
In your contract,
you may have agreed to provide camera-ready art for your maps (that
is, originals of sufficiently high quality for reproduction). Please
refer to our online document regarding the
preparation of art and check with us if you have any further
questions about what is considered acceptable for reproduction.
If the Press has
specified that we will prepare the maps, please supply us with a sample
of a map similar in level of detail and style to the one you envision.
Include a complete list of place names to be typeset, as well as any
other text or graphic information that must appear on the final map.
Number each map
by chapter (e.g., Map 1.1, Map 1.2, etc.).
As you choose
photographs for their content and illustrative value in enhancing the
text, keep in mind what makes for good, clear reproduction: good contrast
and range of tone, and sharp detail (avoid washed out, muddy, scratched,
or under- or overexposed prints). Consult with your editor about the
quality of photographs expected for your book; the same quality may
not be expected of archival prints as for other photographs, for instance.
Your contract
will specify how many photographs are to appear in the book. You may
submit extra photographs if you like, so that your editor and the Press's
designers may make a selection of the best ones. You should indicate
your preferences as well.
Submit glossy
black-and-white prints, not negatives. Try to ensure that the print
has been made from the original negative, not a copy negative (check
with the archivist from whom you obtain the print).
Never write on
the back of photographs: first write on a label or Post-It note and
then attach that to the back of the photograph. Ink or pencil on the
back of a photograph can rub off on the front of another, damaging
the emulsion, or can show through to the front, especially on fragile
archival prints.
Number each photograph
on the label so that it can be keyed to its caption.
Never use paper
clips, staples, or pins to attach labels or captions to photographs.
Stack photographs
with clean white paper between each one to avoid damage to the emulsion;
package the prints with cardboard to avoid bending or folding.
Important information
about providing photographs can also be found in our document on the
preparation of art.
If a figure is
to be taken from another source, always supply an original or the highest
quality reproduction possible. If the original cannot be used, a Photostat
should be made of the original (not a photocopy). Please refer to our
online document regarding the preparation
of art and check with us if you have any further questions about
what is considered acceptable for reproduction.
Simple figures,
graphs, charts, and diagrams may in some circumstances be redrawn by
the typesetter from drafts provided in the manuscript. Check with your
editor if you are unsure about whether you must provide camera-ready
figures.
Number each figure
consecutively by chapter (e.g., Figure 1.1, Figure 1.2, etc.).
Follow the general
guidelines above for text and illustration preparation.
Label the disk
with your name (as the author or collection editor), the book's title,
platform (DOS/Mac/UNIX, etc.), software package used, and software
version number.
We prefer files
provided in WordPerfect, Microsoft Word, or any of the major word-processing
programs. If you are unsure as to whether your program will be usable
on our systems, send us a sample disk for testing.
Use the same software
and hardware throughout in preparing your files.
Submit a separate
hard copy list of filenames with an indication of what text is in each
file (e.g., CHAPI.DOC contains text for chapter 1).
Create separate
files for preliminary matter (contents, preface, etc.), each chapter,
notes, bibliography, appendices, etc.
Use a fixed font
(such as Courier) with a standard line length and number of lines per
page.
Use a minimum
of formatting. Most formatting must be removed before typesetting,
and this is time-consuming if it is not possible to do so globally.
Superscripts are acceptable for notes, however.
Leave text unjustified.
Turn off your
word processor's automatic hyphenation feature. The only hyphens that
should appear should be in compound words.
There should be
no blank lines between paragraphs and paragraphs should be indented.
Use the tab key (instead of a string of spaces) to indent paragraphs.
Ensure that indents are consistent throughout the manuscript. Do not
use hanging indents in text.
Use only one space
after all punctuation, including periods and colons.
Never substitute
letters for numbers or numbers for letters ("el" for "one"
or "oh" for "zero").
If your manuscript
contains special characters (non-roman alphabets, accents, mathematical
symbols, etc.), provide a separate hard copy list of these with coding
instructions.
Make no further
changes to the disk after printing out hard copy. Disks should always
match the printed version submitted.
University of Toronto Press acknowledges the financial support for its publishing activities of the Government of Canada through the Book Publishing Industry Development Program (BPIDP).